Batman Essays

Batman Essays Batman Essay Batman Essay l. Batman and Joker represent each others opposite who help balance and define one another through their values and beliefs, abilities, and actions. II. Values and beliefs a. Justice vs. Injustice a. l. Roots a. l. l. Tragic loss of parents lead to Batman a. l. l . a. It took the tragedy of losing your parents to buy you that life Hush (Dini 13) a. l. l . b. i swear, by the spirits of my parents, to avenge their deaths by spending the rest of my life warring on all criminals Bruce Wayne (Chill) a. I. 2. Tragic loss of (pregnant) wife leads to Joker . . 2. a. But I cant do anything tonight. Th-theres no reason anymore Jeannies dead Joker (Moore 23) b. Moral vs. Immoral b. l. Batman cannot kill Coker) b. l. l . Afraid that he will not stop b. l. l . a. If I allow myself to go down to that place, Ill never come back Batman (Red hood) b. l. 2. Against his morals b. l. 2. a. your role models. The beliefs they instilled in you. And think of how the Joker could n ever understand that Gordon (Loeb) b. l. 2. b. you and I have seen more than our fair share of tragedies and thirsted for revenge. If batman wanted to be a killer, he could have started long ago Gordon (Loeb) b. ll. Joker takes lives, assaults, to get results b. ll. l . Jason Todd b. ll. l . a. mioure thinking about when I died. How theres blood on your hand because you couldnt get there in time to stop The Joker from killing me -Jason Todd (Loeb) b. ll. 2. Barbara b. ll. 2. a. He Shot Barbara. Showed me ph-photographs Gordon (Moore 35) b. ll. 3. Ms. Gordon c. Chaos vs. Order C. I. Joker is chaotic; he works towards chaos c. ll. Batman works to create order within Gotham c. . l. Rid Gotham of criminals c. ll. 2. Incarcerate properly c. ll. 2. a. Because Im doing this on by the book and because I dont want to Batman (Moore 43) d. Sanity vs. Insanity d. l. Joker claims that Batman drives him insane d. l. l . IVe been driven literally in. sane. trying to get him to loosen up Joker (Morrison) d. ll. Batman is able to keep a clear head while under pressure d. ll. l . miears, spent memorizing the finite ways ther e are to hurt and break a man. Preparing for all of them Batman (Morrison) e. Corrupt vs. Incorrupt e. l. Joker believes that everyone can be pushed to lunacy e. l. l . Thats how far the world is from where I am. Just one bad day/ -Joker (Moore 36) e. ll. Batman is incorruptible e. ll. l . let your devotion to Justice temper your rage Phantom Stranger (Chill) Ill. a. Physique a. l. In most cases, a match a. l. l . Despite his thin frame, the Joker proved incredibly agile, with tremendous endurance and a high threshold for pain. He also displayed remarkable strength for a man his size and actually could match Batman blow for blow for brief periods (Greenberger 198) b. Battle of wits b. l. Batman is unable to physically beat Joker, but traps him mentally b. l. l . an organized mind is a disciplined mind, and a disciplined mind is a powerful mind Batman (Emperor) b. l. 2. b. ll. Jokers schematics makes sense to him alone b. ll. l . Normal criminals have logical motives. The Jokers insane schemes make sense to him alone Batman (Laughing) b. lll. Both want to send message to the people b. lll. l . Joker chaos b. lll. 2. Batman Justice c. Incarceration vs. Escapee C. I. Batman is able to (temporarily) subdue Joker c. l. Believe me Jim, I wish it were true but deep inside, I doubt it Batman (Laughing) c. ll. Joker has the resources to escape c. ll. l . And you are absolutely the man who possesses the gifts to take care of this problem Black Mask (Batman) d. Selflessness vs. Selfishness d. l. Batman wants to protect Gotham City d. l. l . the Batman is having a positive effect on public spirit Commissioner Loeb (Miller 36) d. ll. Joker disrupts for his own reasons (self enjoyment) d. ll. l. Repeatedly kills Batman for fun d. ll. 2. Kicks Harley out window d. ll. 2. a. Only if I do it, idiot Joker (Mad) e. Fear vs. Fearless e. l. Batmans image is meant to instill fear e. l. l . He fired at the creature and the bullet passed straight through the creature like it wasnt there Detective Flass (Miller 35) e. ll. Joker remains seemingly fearless V. Actions a. Preparation vs. Unpredictability a. l. Jokers schematics are unpredictable a. ll. Batman prepares for the unforeseen b. Beneficiary vs. Beneficiaries b. l. Batman maintains allies b. l. l. Robin(s) b. l. 2. Catwoman b. l. 3. Barbara/Oracle b. ll. Joker betrays coworkers b. . l. The Black Glove b. ll. l . a. Im saying adieu dont call me servant -Joker (Morrison) b. ll. 2. Harley Quinn b. ll. 2. a. One of the painful truths of comedy. You always take shots from folks who just dont get the Joke -Joker (Mad) V. Joker should not kill Batman Wltnout Batman, Joker wlll not nave anyone to equal nlm a. l. No Joke, no punchline a. l. l . One cannot seem to exist without the other (Greenberger 194) a. l. 2 . But you have no one to match wits with. No symbol of goodness to corrupt. Without Batman, there can be no Joker Batman (Emperor)

Franz Kline Biography

Franz Kline Biography Franz Klines life story reads like a movie plot: Young artist starts out with high hopes, spends years struggling without success, eventually finds a style, becomes an overnight sensation and dies too soon. Kline was best known for his role as an action painter of abstract expressionism, a movement that was popular in New York during the 1940s and 1950s and introduced the world to artists including Jackson Pollock and Willem de Kooning. Early Life Kline was born on May 23, 1910  Wilkes-Barre, Pennsylvania. As the cartoonist for his high school newspaper, Kline was a good enough student to leave coal-mining country and attend Boston University. With budding artistic ambition, he went   to study at the Art Students League, and then Heatherly Art School in London. In 1938, he returned to the U.S. with his British wife and settled in New York City. Art Career It seemed New York really didnt care much that Kline had talent back in England and was ready to take on the world. He struggled for years as a figurative artist, doing portraits for two loyal patrons that won him a modest reputation. He also painted city scenes and landscapes, and occasionally resorted to painting barroom murals to pay the rent money. In the mid 1940s, he met de Kooning and Pollock, and began to explore his own growing interest in trying new styles of painting. Kline had been noodling around with black and white for years, creating small brush drawings and projecting them onto the wall of his studio. Now he got rather serious about creating the projected images using just his arm, brush and mental imagery. The pictures that began to emerge were given a solo exhibition in New York in 1950. As a result of the show, Franz became an established name in the art world and his large, black and white compositions- likened to grids, or Oriental calligraphy- achieved notoriety. With his reputation as a leading abstract expressionist secured, Kline concentrated on turning out his new passion. His new work had short, seemingly meaningless names, such as Painting (sometimes followed by a number), New York, Rust or the old stand-by Untitled. He spent his last years trying to introduce color back into the mix, but was cut down in his prime by heart failure. Kline died on May 13, 1962 in New York City. He couldnt explain what his paintings meant, but Kline left the art world with the understanding that explanation of his art was not its intended purpose. His paintings were supposed to make one feel, not comprehend. Important Works Chief, 1950Painting, 1952Painting Number 2, 1954White Forms, 1955Untitled, 1955Lehigh V Span, 1960Le Gros, 1961 Famous Quote The final test of a painting, theirs, mine, any other, is: does the painters emotion come across?